New Studio
I moved to a new studio last spring, and have been so busy I haven’t had a chance to blog about it yet! Long Island City reminds me of Soho, back when it was full of artists working in industrial spaces. I’m surrounded by photographers, filmmakers, painters, and all sorts of other creatives, and it’s a great environment! One block from Silvercup Studios, two stops from Grand Central, and many transportation options are nearby…
Ted Morrison Studio 43-32 22nd Street Suite 301A Long Island City NY 11101 212-279-2839 studio@tedmorrison.com
New Studio
I’m happy to announce that Ted Morrison Studio has relocated to a fantastic space in Greenpoint, Brooklyn!
Greenpoint, Newton Creek, and Manhattan, July 2010
It’s a terrific location, with a kitchen, wall of west windows, and a big terrace! Greenpoint is a thriving creative neighborhood, and transportation is easily available. There are new production studios and rental equipment nearby, and the film industry is already here, with Steiner Studios and Silvercup within minutes. With a true Italian cafe/bakery around the corner and other excellent options for lunch, it’s been a great move, and we’re now officially open for business!
Ted Morrison Studio
46 Ash Street, Suite 206
Brooklyn, NY 11222
T 212-279-2839
M 917-558-0585
ted@tedmorrison.com
Chosen!
“Congratulations! Your image of the chalk line tools was selected for American Photo! We are pleased to inform you that the work you submitted to American Photography 26 has been CHOSEN to appear on THEE our web gallery at ai-ap.com.” Many, many thanks to my friend Denise Sfraga, the esteemed Photo Editor at This Old House, and Douglas Adams, Art Director extraordinaire, who worked with me at the studio for this assignment.
Thanks, Denise!
A big thanks to Denise Sfraga, the esteemed photo editor and wonderful person, for her mention of my email campaign in a recent article by Photo District News about successful email promotions:
“Denise Sfraga, photo editor of Time, Inc.’s This Old House magazine, says she recently received a couple of e-mails from Ted Morrison that she liked for their clarity and simplicity. “[They were] a really quick read where I didn’t have to read small type or wait for photos to load up,” she says. “If I have to wait [for photos to load] I don’t have the patience or the time so I just move on,”… Sfraga says she appreciated that Morrison’s e-mail was showing her a cover story he’d recently shot for another client. “I liked that it was timely,” she says.
See the full article here
